How to play pop piano (properly)

[the author of this article, which is me, of course, used to play pop piano in the civil defence band, and in church bands and outside bands. he writes songs which can be found at www.myspace.com/shawnpoon and recently wrote a musical.]

It seems a bit pretentious to be writing an article about, this funny queer topic of, how to play pop piano. Simply because plenty has been written on it, and I don't pretend to be an expert in it although I do believe myself capable of playing quite reasonably well. So here's some things i feel happy to pass on to you, my readers, in the hope that you may discover the joy of playing pop piano well.

its the chords, silly!
Unlike classical music, most of the time you are given chords to accompany a song, which probably states something like C, F, Bm, Em, blah blah, and sometimes you get the occassional Absus4 or a Em7b5.....and so, you're supposed to play the chord along with the melody, when your'e playing pop piano, that's what we all know. but how do we do it?

1. Decide whether you want to play the melody with it, or not.
Usually, when you accompany a singer, you often don't want to play the melody, because you'd be doubling up with what she is doing, and then you're occupying the same frequency, and then people cannot really hear the purity of her voice/melodic line without your noisy piano accompaniment playing the same thing. so, if you're playing with a singer, don't double the melody line (ie dont play the melody line). play a chord variation in the right hand instead. when you're playing solo, however, without a singer, then of course you play the melody. but you don't have to play ONLY the melody in the right hand - what i mean is, let's say a song like "don't look back in anger" and the chorus goes "so sally can wait" - which is G - F- G - F - E .....with a C chord moving to g; you don't want to just paly that G F G F E on the right hand with a C chord moving to G on the left hand because it'll sound really empty for a chorus, so you want to texturise it by playing a chord (LH) C - G (RH) C-E-G (with the melody being the highest most note of the chord), and then moving down to (in the right hand: B/D/F- B/D/G - B/D/F - C/E (change chord to Am)) - in the way you get some texturre in the right hand also.

And usually when playing the melody, it's often palyed louder than the rest of the accompaniment; so when you are playing the melody make it louder;

2. Decide on the accompaniment style
There are many ways of playing chords, such as:
a) broken chords (ie arpeggios)
b) chordal , block chords
e) a mixture of both
d) right hand chordal, left hand broken chords...
and so how do you decide?
well, it's all about the song.
think about it - do you want the song to have long, flowy accompaniments, or do you want it stately? for example, a song like "your song" (elton john) will have quite an arpeggio-like accompaniment because it is a rather flowy piece - whereas a hymn would have stately block chords. it often depends on whether you want to accentutate the beat - whether you want the strong to have a strong beat or not - whether you want it stately, or you want it flowing. if you want it flowing, then play more broken chords, arpeggioes, to make it seem like the sense of time is elastic and, that, it diminishes the 'count' of the beat since every beat is divided into so much more; if you want it stately, however, play the chords at regular intervals, on the beat. jay chou for example is a good example, since his songs such as 'feng' or 'an jing' all have right hand chords that are played on the beat for the stately effect.

3. Decide on the rhythmic accents/emphasis
this is relevant in R n B songs for example: sometimes weird accents accentuated with a chord adds to the excitement of playing an R n b song on the piano. for example, jason derulo's "whatcha say" has much syncopation - if you hear the song, the drums are very syncopated and irregular - and a good piano player will be able to recapture the irregular syncopations of the song by mimiking the drums on the piano, by playing, for example: boom, cha, - boom - cha - cha - cha.....(how to explain rhythms, oh well) - it's really about mimiking the drums, and the beatboxes, for example, with a piano.
if it's jazz, for example, then there are the different accents as well: one example is chick corea's spain - where there are leading beats (accents before the main beats) - syncopations, etc. basically, feel the beat, and move your hands with the beat and you'll be fine.

4. Decide on the chord voicings.
chord voicings are very numerous: often when its a major chord, you have the choice of playing (1-5) with the left hand or (1-3) or (1-3-5), and the right hand will fill up the gaps, usually maybe with (1-3), or (1-5), or (3-5).... and the choice often depends on what the song needs. for example, jay chou's feng starts off with a (5-1) on the right hand, x 4, for the first chord, before it changes to a (1-5) on the dominant chord for the next 4 beats.
to put it simply:
Feng (C)
C | G | F | C| F|.....
thats the verse right...
so hows the chords played:
its something like:
on the C chord it's
(Left hand) C - E -G ; right hand is playing G-C (c being the highest note)
before moving on on the G chord to:
(left hand) B - D - G; right hand is playing (G - D) (d being the highest note)...
and moving on to the F:
(left hand) A - C - F; right hand is playing (F - C) (c being the highest note)...

but either way the entire notes make up the chord; but you could have so easily voiced it so many different ways. you could have simply voiced it:
C - E - G: right hand playing C - E, with e BEING the highest...
or so on.
so really it's a matter of preference; but usually the trick is the song. it is supposed to fit the song, so if the melody line is: C C C C G C D D D D E D G (that is feng, btw): then jay chou's instincts is to play the c as the highest, since the c note forms the melody line; and in the next chord, it's to play the d as the highest note. so most of the time the song will determine the voicings, but of course, creative freedom allows us to play anything so long as it sounds good. so try what fits! one of the tricks, though, is not to have too much movement between chords, since, it's nice if the notes flow to each other nicely, as though the piano was a choir, and it's nice if the voices move smoothly from one to another rather than jumping all over the place.

5. It's about the touch
the touch is very important: most amateurs play all the notes the same way, but then there are many things you can do to a piano. while unlike a guitar/violin - ie you dont control the strings, you can do a few things: control the timing of the note, the loudness of the note, and the quickness/fullness that you hit the note. so, follow the melody line, make the melody line sing. most of the time, a singer will not sing all the notes in the same volume, so vary your piano playing the way the singer will vary the loudness/softness of the melodic line. and another trick is to use little 'slurs', which are little piano "pull-offs", ie one note is quickly transferred to another note to give the impresion that that note is leaning to the other note.
another trick is to play the notes together, one at a time, but leaving the last note on as the next note hits the keys - so you get a little blurring effect. (of course, just a bit is good).
sometimes you want the gentle touch for a gentle song, so try to smoothly feel your way into the keys for that effect.


That's all for now. i'll write more when i think of more things.
thanks!

Treat girls with the utmost respect - that is the ac way man

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today i was really struggling, really struggling. ocd ocd ocd. just one step away from the bad thought that will kill all come to me - just one bad thought away. or even half.

so i prayed: "Lord Jesus, deliver me", or something to that extent. it was somethiing like "Lord Jesus help me". and i knew he was listening. and after that something wonderful happened - the Lord told me that He will work, i just have to put my helmet of salvation on and He will take care of the rest. and i felt like He was arranging the heavens and my mind to be alright, something was changing.

so praise GOD.
i am here today because of Him and Him alone because everything good is from Him.
and it doesn't change.

amen to that.
may i be a testimony.

like paul says, "not that i have already achieved this, but i press on"...
but it is not my own work, it is his work.
"it is GOD who works in you to will and to act according to his good purpose. ..."

Congratulations on Gerald and Adele for getting married! It was a lovely lovely wedding, full of God's love, perfect everlasting love between the two of them that will endure. They chose "love always preserves, always hopes, always perseveres...." (1 Corinthians) - i don't know the exact reference - but that was very apt.
it was just so sweet, i was dying inside. really. happy for them. It's great.


On another note, i drove to tampines, gave my friend a lift; everytime i drive down Simei Avenue into tampines i still feel an immense sense of nostalgia. That was my home, my little village - my kampung. it's still my home, of sorts - I think a part of me still hasn't moved out yet.
I remember, vaguely enough, the school bus rides. Which were the funnest things. Playing with kids. Playing soccer at the void deck below block 122, or wherever they used to play soccer.

Before I grew up all cold, intellectual, and materialistic, I was a kampung boy, deep down inside. I still am, perhaps. The happiest memories as a child.

Prayer meeting yesterday was great - it was awesome to be still and to meet GOD.
may i continue to grow in the Lord to find Him that perfect Being more

I'm back to the fold with the Lord Jesus being always with me - and I believe that Jesus is with me right now, and will remain with me for the rest of my life. And Jesus whispered to me that He will be with me all the days of my life - and I'm happy and joyful - and I will try my best to BELIEVE. Coz He said it, so it is true.

I'm slowly finding my way back to God again. It's been a tired road, long difficult road, but i know the Lord will bring me back slowly but surely. There is always a disconnect between my sunday life and the weekly interactions with the world but God willing I will be more faithful to Him through the week

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THis is really beyond me.
Everytime I talk to a girl, let's say, "how are you", it doesn't mean I'm trying to buaya you okay - i don't buaya every girl on the street. Thank you very much. It's presumptuous to think that I'm trying to buaya you. Presumptuous, because, firstly, as Paul Gilbert wrote, there are 6 billion people on this planet. I'm not a loaded gun, or a hired gun. Thank you very much.

Seriosuly everyone is trying to second guess me and I'M REALLY VERY IRRITATED - just treat me like a normal person thank you!

how about a song that goes
gimme sympathy

how about standing in someone else's shoes and walking around in it?

michael card who gave a sermon at my church said it's because we conveniently give people labels - instead of trying to get to know the person better.
"Oh, he's a sick man". "Oh, he's this" "Oh he's that".
so here are the categories:

if he's athletic and looks not so bright, he's classified as:
=> stupid, can't think for himself, simple minded.
if he's fat - oh he must be lazy. coz he can't exercise, or doesn't want to.
if he's wearing specs and is a bit of a nerd - oh, he's bad with members of the opposite sex. since he CANNOT possibly have any experience or skills.

we all are guilty of that, aren't we?
and until we sit down and start knowing that other person better, and see each person individually, not as a member of a class, we're never going to be able to form real relationships. it will always be, unfortunately, plastic.

Luke 6:27 - love your enemies, do good to those who hate you, bless those who curse you, pray for those who mistreat you. If someone strikes you on one cheek, turn to him the other also. If someone takes your cloak, do not stop him from taking your tunic. Give to everyone who asks you, and if anyone takes what belongs to you, do not demand it back. do to others as you would have them do to you.
V32: if you love those who love you, what credit is that to you? Even sinners love those who love them. And if you do good to those who are good to you, what credit is that to you? Even sinners do that. And if you lend to those from whom you expect repayment, what credit is that to you? Even sinners lend to sinners, expecting to be repaid in full. But love your enemies, do good to them, and lend to them without expectingto get anything back. Then your reward will be great, and you will be sons of the most high, because he is kind to the ungrateful and wicked. Be merciful, just as your Father is merciful.
Am I willing to love my enemies? To love the unlovable, to love those the world considers unlovable? But god considers them lovable so do I follow God or the world?


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Preview:
Spain v Holland - World Cup Final 2010

Here's my analysis/predictions for the final. While I'm not Paul the Octopus, who has wagered that spain will triumph, here's just an analysis from a soccer fan and lover of the game.

First up, it is fair to say that Spain's "tiki-taka" approach to football, ie playing short passes, triangles, passing and moving - a style developed from barca, will ensure that they retain most of the ball. And in Xavi Hernandez, they have probably the best passer on the planet right now - his awareness, accuracy, and most importantly decision making is always spot on. In fact, the number of times he's lost the ball, I think, can be counted with 1 hand (2 were against germany, i think). He is always available for that short option backwards when there's little space, to recycle the ball, spread it wide, hit the through pass, or play little triangles with members of his midfield three. And his first touch is so good (he always uses his body quite perfectly well as a shield) that it is impossible to get the ball off him, since he'd just turn and play a pass. And because all the Spanish players are able to retain possession of the ball very well, it means that there are almost numerous options for ball-recycling. Xabi Alonso is probably the perfect foil for Xavi since he plays deeper, and can be trusted to send raking balls to the flanks (esp to ramos) - it means that, shortwise or longwise, there is always a passing option.

However, possession without penetration only leads to, well, sad to say, arsenal. Lots of possession without any penetration, any danger. Sure, xavi can keep passing around the center circle, but no one scores goals from there. the attack has to advance. And so it is up to the likes of villa, iniesta, pedro (if he plays) to make things happen - and the Dutch have been rather stingy in defence, to be able to close up the space in between the defence and the midfield (by employing the 2 holding midfielders in de jong and van bommel) very well, with these 2 midfielders really snapping at every ball, working diligently and tirelessly, to break up the play. and if xavi et al can't find the passes forward, the ball is left to recycle. so it's really a test of mental strength - can the dutch in fact keep concentration in closing down space and restricting passing options for a whole 90 minutes? I'm not so sure about that - I think with de jong back things will be much better than against uruguay, but I'm not so sure either about spains' abiility to attack in a manner that brazil did against holland in the first half of that quarter final, with robinho, maicon, kaka, all running at pace at a slow back 4. iniesta is no slouch but definitely not as fast as robinho. xavi is pretty slow. villa, well, he's fast but he's just one man.

On the other front though, i'm not sure whether the dutch can even retain enough possession to fashion enough chances. spain, in my money's opinion, will cut off all angles to robben to prevent the simple pass to him which will result in his running at a spanish defender, whether ramos or capdevilia. i'm pretty sure that busquets will go and cover the flanks to prevent that one-on-one situation, which leaves space for sniejder etc to do some magic. but robben is a game changer - if he is up to his electrifying best, i can see the game going holland's way, because it will take some stopping, to bring him down - maybe 3 men or more, since he's so technically gifted, skilful, and fast at the same time. kuyt on the other flank gives holland some good options since he's always tirelessly running,making angles for a pass, and so on. and van persie well holds up play pretty well and is a pretty good linkman and has some skills and a good shot to boot. but with the spanish team always pressing, closing down the space, and preventing the other team from playing, it's going to be hard for a holland team to find passing channels and create chances, or even finding a teammate, since the spanish defend collectively to cover all passing lanes, not just the most dangerous ones.

On the other hand, i believe the dutch are technically more gifted than the germans. sneidjer has a better first touch than ozil, has 2 good feet, and van persie has likewise better control than klose, although he fails in the heading department. robben is faster than trochowski, which means that the full backs will not be able to push up that much.

Overall i could see spain sneaking it by 1 goal - my head says spain though my heart says holland. i can see that upset coming, that no one really expected. but it will take a great individual performance by one of holland's attacking stars to do so, whereas spain is less reliant on individual magic.

Must learn how to unthink - if I could just freeze those thoughts in my mind, how wonderful that will be. Need to learn how to think of nothing.


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I'm really tired and jaded - commencement is funny and a little surreal.
There are too many wrong untrue threads in my brain and it's holding me in a grip
I am afraid of doing well because I'm afraid it will lead to pride, even though I don't want to. It's a disease that is inevitably getting me.


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Hmmm
I've been back almost three weeks already, and here are some thoughts:
Favourite city: London, Vienna
Restaurant: steirereck, l'atelier Joel robuchon.
Favourite experiences: driving down route de grand cru, berlin walks, watching concert at schonbrunn, watching musicals, borough market
Favourite food experiences: besides the two restaurants mentioned, oysters in Brittany, seafood platter, cheeses, borough market, German beer, Monmouth coffee, Viennese cakes
What was underwhelming: Paris - a beautiful place but dodgy people and sinister feel
Wish I could have seen more of: the louvre, And maybe the nat gallery in London
Repeat stops: Monmouth coffee, 6 visits; le petit port in dinard, 2 times; genose kebab in mehringdam 2 times
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The word of GOd is absolutely true and marvellous so let's read it and believe it

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Wow holland won after I said I'd support them against the mighty selacao. Robben was unplayable. Yes he goes down easily but
Who could stop him? Brazil
Just ran out of steam and well I
Just hope melo doesn't get the Escobar treatment. He was a bit
Of a prick anyway, fully
Deserves to walk
For that!!

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Help me Father to fix my eyes on Jesus, to throw away anything that stumbles and the sin that so easily entangles, and to run the race set for me, fixing my eyes on Jesus the author and perfector of my faith. The lord Jesus loves me and died for me and is beside me, right now, and is forever with me, for he says surely I am with you to the end of the edge. So I will look to him everyday every moment every minute and forever listen to his voice

All those people who keep talking to my parents about me, why don't you talk to me?
It's easier
or are you scared? bleagh bleagh bleagh.
you might be scared
so in that case, better not do the cowardly thing and talk to people about me, especially when you don't know the truth.

maybe i have too much conflict in my life, but i'm GOING TO FIGHT IT OUT.
(too used to conflict)
good for lawyers
really, i feel uncomfortable when there is no conflict.

Too bad I don't have the willpower and strength to get what I want. But this time, I'll be, bullet proof. this time I am going to come out, and decide for myself - and not let silly enemies block my way. ONWARD SHAWN.

I'm kinda screwedup sonofagun, maybe that's why I run away to things that I'm good at - it's an escape.